AUTHENTIC
ALUMINUM SCULPTOR MOLDS HIS PURPOSE COUNTY ARTIST'S WORK TOURS
U.S., EUROPE
Orlando
Sentinel
Published: Sunday, December 16, 1990
Section: SEMINOLE EXTRA 2
Page: K1
By Kristina Feliciano Of The Sentinel Staff
On
a sunny day, the view at the house is almost surreal. The trees
are dripping with Spanish moss. Across the street the pastel
shingled roofs of a neighborhood are barely visible over a brick
wall. A dense population of telephone poles looms into an endless
blue sky.
The couple's two-story house on Tuskawilla Road about a half-mile
north of State Road 426 is set back from the road. Rough-hewn
sculptures shaped like giant sand dollars hang on the house's
brick front. Four dogs big enough to saddle gallop around the
grassy yard, barking at anything or anyone who approaches the
chain-link fence.
Inside this house, artist Johann Eyfells works. He retreats
to his dank basement in the wee hours of the morning, scratching
philosophical thoughts onto pieces of paper. He labors in the
back yard with his three foundries, melting and molding metal
for his sculptures that can weigh more than 1,000 pounds.
Activity at the house has reached a particular intensity as
Eyfells, who has taught art at the University of Central Florida
since 1969, prepares one of his sculptures for an upcoming show
in Sweden.
''Hatchway: Concave as Convex,'' a cast aluminum piece measuring
9-by-9 feet and 40 inches thick, was three years in the making.
Eyfells ladled molten metal in small portions into wooden and
earthen molds. The framework surrounds a shallow concave center.
At present the 67-year-old artist is represented in four major
shows in the United States and Europe. He has had more than
a dozen one-man exhibitions, numerous group exhibitions and
has works in public collections in Florida, Germany and his
native Iceland.
Not surprisingly, much of Eyfells' success has been recorded
outside of the state. He is especially well-received in Iceland,
where he is one of nine artists participating in a traveling
exhibit.
''Nordic '60s,'' which is touring Scandinavia, is a comprehensive
exhibit of work from the 1960s. It includes the work of 50 artists,
10 from each Scandinavian country.
Eyfells says he enjoys his relative obscurity in Central Florida.
Quoting Picasso, he says living here is akin to ''living like
a poor person but actually being a millionaire.''
Eyfells' wife, Kristin, is also an artist. She paints large
portraits of famous faces like Jimmy Durante, Tom Selleck and
Ronald Reagan. She paints in colors as bright as those of a
canary's breast, a lively contrast to the weighty, muted tones
of her husband's work.
Even in appearance the couple strikes a contrast. Kristin is
petite and slim. On this day she is wearing her curly red hair
smoothed back in a bun. Her eyes are bright and blue. Her multicolored
striped pants flare at the bottom.
When she speaks, the words are distilled through a heavy Icelandic
accent and her voice has a sing-song quality. She jokingly says
her husband is ''so serious.''
Purposeful is another apt word for Eyfells. He chooses his words
carefully, deliberately.
His blue eyes are magnified behind thick glasses. He has a wide
forehead and his tanned face has many lines. Large calloused
hands protrude from the cuffs of his forest green shirt.
Eyfells says being married to an artist is like ''being married
to another version of oneself.''
The fact that they each cultivate separate artistic fields does
not adversely affect their relationship. He says they have respect
for each other's talent.
''The harmony exists in the domain of quality.''
An inclination toward the arts runs in the family. His father
was a landscape painter. Eyfells' work diverges considerably
from the realistic renderings of his father.
''I used to joke with him that he painted mountains and that
I created them,'' Eyfells said.
A former architect, Eyfells has earned degrees from the University
of California at Berkeley and the University of Florida.
He gave up architecture, a vocation he took up to please his
mother in the early '60s. ''I am not a businessman,'' he said.
His knowledge of design has not gone to waste, however. He and
Kristin bought their home in Oviedo in 1983, when it was nothing
more than ''an abandoned shell,'' Kristin said.
''It was just sand and nothing.''
In other words, it was perfect for the couple's needs as artists.
Eyfells redesigned the house and did all of the carpentry himself.
They have ample studio and storage space and the 2 1/2 acres
allows for the birth of many a grand sculpture. Not to mention
the fact that those dogs need room to roam.
Kristin added her decorator's touch with purple and blue paneling
for the kitchen and painted purple walls in the living room.
Other highlights of the house include green shag carpeting and,
of course, each of the artist's work prominently displayed.
Bright colors notwithstanding, the house is not unlike any found
in a conventional neighborhood. It is both comfortable and functional,
with the lived-in feel commonly associated with grandma's house.
It is authentic, to use the artist's term for something that
has not been altered to suit outside demands. He says authenticity
has a beauty of its own that often goes unappreciated.
''We are stuck with (the idea that) it's more beautiful to attain
sameness than to attain authenticity,'' he said. ''Authenticity
is not sameness.''
